Roberta J Dewa: Author and Lecturer
I was a novelist before I was ever an academic, and I remain a writer by temperament and aspiration. In the 1980s, I published three historical novels with Robert Hale, but after my mother’s early death in 1983, I didn’t write for a long time, and when I began again my writing had become more serious and complex. In 1990 I returned to the formal education I had never completed and entered the University of Nottingham as a mature student, taking my BA, MA, and PhD in English Literature. I stayed on at university as a teacher, lecturing in language studies and, for the last five years, running my own course in Creative Writing. While I was studying for my degrees, my own writing had to take second place, but it never went away. I have continued to develop my understanding of the craft of writing, workshopping with other local writers, and publishing poetry, reviews and short fiction in the small presses, both print and online; but I returned to the challenge of full-length works in 2005, when I embarked on the Creative Writing MA at Nottingham Trent University. My recently completed novel Home is a novel about loss of voice and identity, currently in revision.
My current project, The Memory of Bridges, is a memoir, the reclamation of a troubled past, and a return to the village of my childhood.
Extracts from both works can be read on this website.
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In August 2011 my poem 'Sunday Worship' was shortlisted for the National Trust poetry competition, 'Landlines.' It can be seen, along with the winning poems and other runners-up, on the NT website, nationaltrust.org.uk. And an extract from my memoir, 'The Memory of Bridges,' is published this autumn in Five Leaves Publications' first annual journal, 'Maps,' which contains some great pieces on the importance of place in our culture. Do check out Five Leaves' website, fiveleaves.co.uk., for this and other publications.
Eleswhere, much of my time has been taken up with the editing of my memoir. It's the shaping part of a creative project and needs a lot of discipline. It's also a time for finding out where memory isn't enough and the work needs the crafting and dramatizing skills associated with a novel; and for standing back, and hearing what real readers think. I am immensely grateful to those who have worked, and continue to work, with me on the manuscript. More on this, I hope, soon.
The ongoing task of editing has made it a quiet year for readings and other public events, but I continue to offer readings and short workshops in libraries and schools, often on the significance of place in writing. If you are interested, do get in touch via the Contact form on this website.